Specialized Stumpjumper 15 & GENIE Shock - Impressions, Setup Help, Discussion

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Matej
Posts
8
Joined
11/14/2025
Location
Kosice SK
11/14/2025 9:37am Edited Date/Time 11/14/2025 9:45am
Goon City wrote:

Is there changes to the tune or hard parts to deal with the extra stored spring energy? 

The rebound tune is progressive.  Meaning at slower speeds shaft speeds it produces low damping, and as shaft speeds increase so does the rebound force.  This...

The rebound tune is progressive.  Meaning at slower speeds shaft speeds it produces low damping, and as shaft speeds increase so does the rebound force.  This helps the shock feel lively and responsive where the rebound forces/shaft speeds are not super high, but creates a "high speed catch" where return forces are high and it generate a higher shaft speed. 

It is also worth noting that the extra spring force at the end is not exponentially higher than a "normal" spring. The first stage of the spring is softer than your traditional spring, then the extra ramp at the end brings forces back up to only slightly higher force than a traditional spring. This means we are not having to tune around forces that are very far from the norm.

So SSR01 is a progressive tune? Light rebound? How about SSC003? I have changed shocks on my SJ15 from Fox Float Genie to Float X Genie, but the latter one came from Levo and I feel that it is not as good as the previous one was. For whatever reason it feels firmer even though it should be lighter considering it is using CL+SS. Anyway, I'd like to re-shim it to get it close to the one from SJ, so any help would be appreciated here. Thanks!

11/30/2025 1:58am

Anyone got any idea of achievable bb to seat rail heights on an s3 stumpy? I know there is some data about insertion depth but really depending on post etc it’s hard to decipher. I’m looking at an s3 expert carbon and basically I need a 630 bb to saddle rail height, I’m 5”5” so quite short and at the lower end of this bike size but my experience has been that the s2 would be far too small for me and I would really like to run a 175mm post rather than a 150mm post. Thanks 

1
12/10/2025 6:52pm
Anyone got any idea of achievable bb to seat rail heights on an s3 stumpy? I know there is some data about insertion depth but really...

Anyone got any idea of achievable bb to seat rail heights on an s3 stumpy? I know there is some data about insertion depth but really depending on post etc it’s hard to decipher. I’m looking at an s3 expert carbon and basically I need a 630 bb to saddle rail height, I’m 5”5” so quite short and at the lower end of this bike size but my experience has been that the s2 would be far too small for me and I would really like to run a 175mm post rather than a 150mm post. Thanks 

I’m around 5’8 on an s3, I have 645 from center of bb  to bottom of seat rails. I have a 170mm one up dropper with maybe 25mm it could be further inserted. You may want to go mullet for less ass to tire contact. 

1
12/11/2025 11:56am
Anyone got any idea of achievable bb to seat rail heights on an s3 stumpy? I know there is some data about insertion depth but really...

Anyone got any idea of achievable bb to seat rail heights on an s3 stumpy? I know there is some data about insertion depth but really depending on post etc it’s hard to decipher. I’m looking at an s3 expert carbon and basically I need a 630 bb to saddle rail height, I’m 5”5” so quite short and at the lower end of this bike size but my experience has been that the s2 would be far too small for me and I would really like to run a 175mm post rather than a 150mm post. Thanks 

lloyd506 wrote:
I’m around 5’8 on an s3, I have 645 from center of bb  to bottom of seat rails. I have a 170mm one up dropper with...

I’m around 5’8 on an s3, I have 645 from center of bb  to bottom of seat rails. I have a 170mm one up dropper with maybe 25mm it could be further inserted. You may want to go mullet for less ass to tire contact. 

Thanks, I should get my saddle height on it then as I’m around 630mm usually. I intend to mullet it but finding a mullet link seems to be tricky, I may have to buy a cascade which is a fair bit more expensive than specialized’s own link and completely changes the bikes kinematic. I have rode plenty of full 29 bikes but do prefer a mullet. 

1
jsray
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219
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Location
Gilbert, AZ US
Fantasy
12/15/2025 6:56am

Back to genie talk. 

Just got a Levo sl expert. Set up according to specialized suspension calculator. 165lbs. 30% sag. 1 genie band. Stock bottom out spacer. Did some bracketing laps for psi, rebound, and LSC. Was pretty normal feeling, similar to float x. 

Took the 1 genie band out and holy guacamole. It actually felt like a coil shock. I was very suspicious of the marketing and I did not drink the koolaid. But I believe this shock is everything they claimed. Still at 30% sag. 1 click faster and 1 LSC click firmer than recommended. I'm in Phoenix with chunky decomposed granite trails at south mountain trails, flowy and chattery single track with some jumps out at Hawes. 

Was planning on buying a coil shock eventually but now I don't see the point in spending the money. 

2
Matej
Posts
8
Joined
11/14/2025
Location
Kosice SK
12/20/2025 12:09pm Edited Date/Time 12/20/2025 12:12pm
Goon City wrote:

Is there changes to the tune or hard parts to deal with the extra stored spring energy? 

The rebound tune is progressive.  Meaning at slower speeds shaft speeds it produces low damping, and as shaft speeds increase so does the rebound force.  This...

The rebound tune is progressive.  Meaning at slower speeds shaft speeds it produces low damping, and as shaft speeds increase so does the rebound force.  This helps the shock feel lively and responsive where the rebound forces/shaft speeds are not super high, but creates a "high speed catch" where return forces are high and it generate a higher shaft speed. 

It is also worth noting that the extra spring force at the end is not exponentially higher than a "normal" spring. The first stage of the spring is softer than your traditional spring, then the extra ramp at the end brings forces back up to only slightly higher force than a traditional spring. This means we are not having to tune around forces that are very far from the norm.

Actually, I'm starting to doubt you are right about the rebound tune. Looking at the drawing of the shimstack, nothing looks progressive about it. It's not a splitstack. It's a standard linear shimstack. Furthermore, if you look at the Float X Genie used by SJ15 it uses RL70 which is also a linear rebound, so no idea where you got this from. It wouldn't make much sense to use on the same frame 2 different rebound tunes, right?

1
12/20/2025 12:23pm Edited Date/Time 12/20/2025 12:33pm
Goon City wrote:

Is there changes to the tune or hard parts to deal with the extra stored spring energy? 

The rebound tune is progressive.  Meaning at slower speeds shaft speeds it produces low damping, and as shaft speeds increase so does the rebound force.  This...

The rebound tune is progressive.  Meaning at slower speeds shaft speeds it produces low damping, and as shaft speeds increase so does the rebound force.  This helps the shock feel lively and responsive where the rebound forces/shaft speeds are not super high, but creates a "high speed catch" where return forces are high and it generate a higher shaft speed. 

It is also worth noting that the extra spring force at the end is not exponentially higher than a "normal" spring. The first stage of the spring is softer than your traditional spring, then the extra ramp at the end brings forces back up to only slightly higher force than a traditional spring. This means we are not having to tune around forces that are very far from the norm.

Matej wrote:
Actually, I'm starting to doubt you are right about the rebound tune. Looking at the drawing of the shimstack, nothing looks progressive about it. It's not...

Actually, I'm starting to doubt you are right about the rebound tune. Looking at the drawing of the shimstack, nothing looks progressive about it. It's not a splitstack. It's a standard linear shimstack. Furthermore, if you look at the Float X Genie used by SJ15 it uses RL70 which is also a linear rebound, so no idea where you got this from. It wouldn't make much sense to use on the same frame 2 different rebound tunes, right?

You don't need a 2-stage stack to create a progressive damping rate - it can be achieve with a linear or even preloaded shim stack, depending on the other variables like port size and free bleed. 

Also, this concern for "controlling the extra energy" of a progressive spring is wildly overblown - 

a) air springs, by their nature return less energy than you put in to them (ie they are stiffer in compression than rebound)

and b) the extra progression is added because there wasn't enough force at the end of the travel to begin with, so the goal is to absorb and return more energy so increasing the rebound damping would be undoing that. If the extra progression caused negative ride qualities like bucking, it either means you didn't need that progression, or you actually need more compression damping.

2
1
Matej
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Kosice SK
12/20/2025 12:28pm Edited Date/Time 12/20/2025 12:32pm
The rebound tune is progressive.  Meaning at slower speeds shaft speeds it produces low damping, and as shaft speeds increase so does the rebound force.  This...

The rebound tune is progressive.  Meaning at slower speeds shaft speeds it produces low damping, and as shaft speeds increase so does the rebound force.  This helps the shock feel lively and responsive where the rebound forces/shaft speeds are not super high, but creates a "high speed catch" where return forces are high and it generate a higher shaft speed. 

It is also worth noting that the extra spring force at the end is not exponentially higher than a "normal" spring. The first stage of the spring is softer than your traditional spring, then the extra ramp at the end brings forces back up to only slightly higher force than a traditional spring. This means we are not having to tune around forces that are very far from the norm.

Matej wrote:
Actually, I'm starting to doubt you are right about the rebound tune. Looking at the drawing of the shimstack, nothing looks progressive about it. It's not...

Actually, I'm starting to doubt you are right about the rebound tune. Looking at the drawing of the shimstack, nothing looks progressive about it. It's not a splitstack. It's a standard linear shimstack. Furthermore, if you look at the Float X Genie used by SJ15 it uses RL70 which is also a linear rebound, so no idea where you got this from. It wouldn't make much sense to use on the same frame 2 different rebound tunes, right?

You don't need a 2-stage stack to create a progressive damping rate - it can be achieve with a linear or even preloaded shim stack, depending...

You don't need a 2-stage stack to create a progressive damping rate - it can be achieve with a linear or even preloaded shim stack, depending on the other variables like port size and free bleed. 

Also, this concern for "controlling the extra energy" of a progressive spring is wildly overblown - 

a) air springs, by their nature return less energy than you put in to them (ie they are stiffer in compression than rebound)

and b) the extra progression is added because there wasn't enough force at the end of the travel to begin with, so the goal is to absorb and return more energy so increasing the rebound damping would be undoing that. If the extra progression caused negative ride qualities like bucking, it either means you didn't need that progression, or you actually need more compression damping.

Well, he talked specifically about rebound tune, not some secondary variables, which I doubt exist here. RL70 is literally a "Rebound Linear". It would make zero sense if they offer these on the scale from 10 to 70 or whatever, but you end up getting progressive dumping rate anyway.

 

Of course, feel free to post the damping rate of the Genie shock here if you have it.

1
12/20/2025 12:48pm
Matej wrote:
Actually, I'm starting to doubt you are right about the rebound tune. Looking at the drawing of the shimstack, nothing looks progressive about it. It's not...

Actually, I'm starting to doubt you are right about the rebound tune. Looking at the drawing of the shimstack, nothing looks progressive about it. It's not a splitstack. It's a standard linear shimstack. Furthermore, if you look at the Float X Genie used by SJ15 it uses RL70 which is also a linear rebound, so no idea where you got this from. It wouldn't make much sense to use on the same frame 2 different rebound tunes, right?

You don't need a 2-stage stack to create a progressive damping rate - it can be achieve with a linear or even preloaded shim stack, depending...

You don't need a 2-stage stack to create a progressive damping rate - it can be achieve with a linear or even preloaded shim stack, depending on the other variables like port size and free bleed. 

Also, this concern for "controlling the extra energy" of a progressive spring is wildly overblown - 

a) air springs, by their nature return less energy than you put in to them (ie they are stiffer in compression than rebound)

and b) the extra progression is added because there wasn't enough force at the end of the travel to begin with, so the goal is to absorb and return more energy so increasing the rebound damping would be undoing that. If the extra progression caused negative ride qualities like bucking, it either means you didn't need that progression, or you actually need more compression damping.

Matej wrote:
Well, he talked specifically about rebound tune, not some secondary variables, which I doubt exist here. RL70 is literally a "Rebound Linear". It would make zero...

Well, he talked specifically about rebound tune, not some secondary variables, which I doubt exist here. RL70 is literally a "Rebound Linear". It would make zero sense if they offer these on the scale from 10 to 70 or whatever, but you end up getting progressive dumping rate anyway.

 

Of course, feel free to post the damping rate of the Genie shock here if you have it.

I don't have specific dyno data from them yet but I'm sure it won't be too much longer, but I can assure you a lot of things don't make sense with the names given to tunes. There are several cases of tunes called "linear" but in use, give something closer to a progressive damping characteristic. The linear part could just be referring to the physical construction of the stack - no preloading or dual stage arangement being used. Many of the Fox RL tunes tend to trend progressive in use, because they are quite stiff and would normally be set with the adjuster close to open, which creates a more progressive rate. I do have dyno data from other fox tunes which support this, and also I have found that the numbering isn't always a consistent scale - with the new DHX2 shocks I have seen somethign like a "90" compression tune be progressive and "100" be digressive but softer overall. You are also jumping to the conclusion that both the float & genie would have exactly the same damping rates, when really they have different purposes so it isn't unrealistic that they would be tuned differently. 

2
Matej
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Kosice SK
12/20/2025 12:58pm Edited Date/Time 12/20/2025 1:01pm
You don't need a 2-stage stack to create a progressive damping rate - it can be achieve with a linear or even preloaded shim stack, depending...

You don't need a 2-stage stack to create a progressive damping rate - it can be achieve with a linear or even preloaded shim stack, depending on the other variables like port size and free bleed. 

Also, this concern for "controlling the extra energy" of a progressive spring is wildly overblown - 

a) air springs, by their nature return less energy than you put in to them (ie they are stiffer in compression than rebound)

and b) the extra progression is added because there wasn't enough force at the end of the travel to begin with, so the goal is to absorb and return more energy so increasing the rebound damping would be undoing that. If the extra progression caused negative ride qualities like bucking, it either means you didn't need that progression, or you actually need more compression damping.

Matej wrote:
Well, he talked specifically about rebound tune, not some secondary variables, which I doubt exist here. RL70 is literally a "Rebound Linear". It would make zero...

Well, he talked specifically about rebound tune, not some secondary variables, which I doubt exist here. RL70 is literally a "Rebound Linear". It would make zero sense if they offer these on the scale from 10 to 70 or whatever, but you end up getting progressive dumping rate anyway.

 

Of course, feel free to post the damping rate of the Genie shock here if you have it.

I don't have specific dyno data from them yet but I'm sure it won't be too much longer, but I can assure you a lot of...

I don't have specific dyno data from them yet but I'm sure it won't be too much longer, but I can assure you a lot of things don't make sense with the names given to tunes. There are several cases of tunes called "linear" but in use, give something closer to a progressive damping characteristic. The linear part could just be referring to the physical construction of the stack - no preloading or dual stage arangement being used. Many of the Fox RL tunes tend to trend progressive in use, because they are quite stiff and would normally be set with the adjuster close to open, which creates a more progressive rate. I do have dyno data from other fox tunes which support this, and also I have found that the numbering isn't always a consistent scale - with the new DHX2 shocks I have seen somethign like a "90" compression tune be progressive and "100" be digressive but softer overall. You are also jumping to the conclusion that both the float & genie would have exactly the same damping rates, when really they have different purposes so it isn't unrealistic that they would be tuned differently. 

Thanks for the explanation. I don't doubt they are tuned differently. Float specifically uses a custom shimstacks from/by Specialized. Similiar about Float X Genie from Levo (e-tuned), but Float X Genie from SJ25 is a different case. It seems to be using regular Fox's shimstack. Internals don't seem to differ either, so my assumption is that if you have dyno data from regular Float X it shouldn't differ by a lot or not at all. Then the question is why is Float X so different to Float in terms of its tune?

12/20/2025 1:29pm
Matej wrote:
Well, he talked specifically about rebound tune, not some secondary variables, which I doubt exist here. RL70 is literally a "Rebound Linear". It would make zero...

Well, he talked specifically about rebound tune, not some secondary variables, which I doubt exist here. RL70 is literally a "Rebound Linear". It would make zero sense if they offer these on the scale from 10 to 70 or whatever, but you end up getting progressive dumping rate anyway.

 

Of course, feel free to post the damping rate of the Genie shock here if you have it.

I don't have specific dyno data from them yet but I'm sure it won't be too much longer, but I can assure you a lot of...

I don't have specific dyno data from them yet but I'm sure it won't be too much longer, but I can assure you a lot of things don't make sense with the names given to tunes. There are several cases of tunes called "linear" but in use, give something closer to a progressive damping characteristic. The linear part could just be referring to the physical construction of the stack - no preloading or dual stage arangement being used. Many of the Fox RL tunes tend to trend progressive in use, because they are quite stiff and would normally be set with the adjuster close to open, which creates a more progressive rate. I do have dyno data from other fox tunes which support this, and also I have found that the numbering isn't always a consistent scale - with the new DHX2 shocks I have seen somethign like a "90" compression tune be progressive and "100" be digressive but softer overall. You are also jumping to the conclusion that both the float & genie would have exactly the same damping rates, when really they have different purposes so it isn't unrealistic that they would be tuned differently. 

Matej wrote:
Thanks for the explanation. I don't doubt they are tuned differently. Float specifically uses a custom shimstacks from/by Specialized. Similiar about Float X Genie from Levo...

Thanks for the explanation. I don't doubt they are tuned differently. Float specifically uses a custom shimstacks from/by Specialized. Similiar about Float X Genie from Levo (e-tuned), but Float X Genie from SJ25 is a different case. It seems to be using regular Fox's shimstack. Internals don't seem to differ either, so my assumption is that if you have dyno data from regular Float X it shouldn't differ by a lot or not at all. Then the question is why is Float X so different to Float in terms of its tune?

I think only specialized can really answer that, but I'm assuming they use 2 different shocks to have a different feel so its unsurprising the tunes would be different, and I also know they typically use different tunes between the e-variants and the acoustic equivalent as well. Whether or not this is "correct" is a matter of opinion, but you're questioning a product representatives information here and I'm just pointing out there are ways it can easily be accurate

2
Matej
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Joined
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Location
Kosice SK
12/20/2025 1:51pm Edited Date/Time 12/20/2025 1:53pm
I don't have specific dyno data from them yet but I'm sure it won't be too much longer, but I can assure you a lot of...

I don't have specific dyno data from them yet but I'm sure it won't be too much longer, but I can assure you a lot of things don't make sense with the names given to tunes. There are several cases of tunes called "linear" but in use, give something closer to a progressive damping characteristic. The linear part could just be referring to the physical construction of the stack - no preloading or dual stage arangement being used. Many of the Fox RL tunes tend to trend progressive in use, because they are quite stiff and would normally be set with the adjuster close to open, which creates a more progressive rate. I do have dyno data from other fox tunes which support this, and also I have found that the numbering isn't always a consistent scale - with the new DHX2 shocks I have seen somethign like a "90" compression tune be progressive and "100" be digressive but softer overall. You are also jumping to the conclusion that both the float & genie would have exactly the same damping rates, when really they have different purposes so it isn't unrealistic that they would be tuned differently. 

Matej wrote:
Thanks for the explanation. I don't doubt they are tuned differently. Float specifically uses a custom shimstacks from/by Specialized. Similiar about Float X Genie from Levo...

Thanks for the explanation. I don't doubt they are tuned differently. Float specifically uses a custom shimstacks from/by Specialized. Similiar about Float X Genie from Levo (e-tuned), but Float X Genie from SJ25 is a different case. It seems to be using regular Fox's shimstack. Internals don't seem to differ either, so my assumption is that if you have dyno data from regular Float X it shouldn't differ by a lot or not at all. Then the question is why is Float X so different to Float in terms of its tune?

I think only specialized can really answer that, but I'm assuming they use 2 different shocks to have a different feel so its unsurprising the tunes...

I think only specialized can really answer that, but I'm assuming they use 2 different shocks to have a different feel so its unsurprising the tunes would be different, and I also know they typically use different tunes between the e-variants and the acoustic equivalent as well. Whether or not this is "correct" is a matter of opinion, but you're questioning a product representatives information here and I'm just pointing out there are ways it can easily be accurate

Yep, the e-tuned Genie is using CL+SS and CPR (rebound tune by Specialized), but that is expected since it's an e-bike. Many manufactures do the same. In other cases we are talking about the same bike, so to me at least, it is surprising they make them feel different.

Matej
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Location
Kosice SK
12/21/2025 7:28am Edited Date/Time 12/21/2025 8:20am

Comparing regular Float with Float Genie the internals (piston primarily) is the exactly same. I mean even Specialized (the RX team) in their videos mention that there isn't many differences. The outer sleeve/chamber and related seals are the only one.

This is the rebound shimstack which is fully custom. I don't see anything progressive about this single stage SS. If the rebound damping curve ends up being progressive (somehow) then that applies to all Floats.

Screenshot 2025-12-21 at 16.25.01

1
12/21/2025 4:01pm
Matej wrote:
Comparing regular Float with Float Genie the internals (piston primarily) is the exactly same. I mean even Specialized (the RX team) in their videos mention that...

Comparing regular Float with Float Genie the internals (piston primarily) is the exactly same. I mean even Specialized (the RX team) in their videos mention that there isn't many differences. The outer sleeve/chamber and related seals are the only one.

This is the rebound shimstack which is fully custom. I don't see anything progressive about this single stage SS. If the rebound damping curve ends up being progressive (somehow) then that applies to all Floats.

Screenshot 2025-12-21 at 16.25.01

You can't tell if a shim stack is linear, progressive or digressive just by looking at it 

2
Matej
Posts
8
Joined
11/14/2025
Location
Kosice SK
12/21/2025 4:47pm Edited Date/Time 12/21/2025 4:49pm
Matej wrote:
Comparing regular Float with Float Genie the internals (piston primarily) is the exactly same. I mean even Specialized (the RX team) in their videos mention that...

Comparing regular Float with Float Genie the internals (piston primarily) is the exactly same. I mean even Specialized (the RX team) in their videos mention that there isn't many differences. The outer sleeve/chamber and related seals are the only one.

This is the rebound shimstack which is fully custom. I don't see anything progressive about this single stage SS. If the rebound damping curve ends up being progressive (somehow) then that applies to all Floats.

Screenshot 2025-12-21 at 16.25.01

You can't tell if a shim stack is linear, progressive or digressive just by looking at it 

In this case, you probably aren't experienced enough, if you can't tell from a simple shimstack such as above whether it's linear, progress or digressive lol.

8
12/21/2025 6:05pm
Matej wrote:
Comparing regular Float with Float Genie the internals (piston primarily) is the exactly same. I mean even Specialized (the RX team) in their videos mention that...

Comparing regular Float with Float Genie the internals (piston primarily) is the exactly same. I mean even Specialized (the RX team) in their videos mention that there isn't many differences. The outer sleeve/chamber and related seals are the only one.

This is the rebound shimstack which is fully custom. I don't see anything progressive about this single stage SS. If the rebound damping curve ends up being progressive (somehow) then that applies to all Floats.

Screenshot 2025-12-21 at 16.25.01

You can't tell if a shim stack is linear, progressive or digressive just by looking at it 

Matej wrote:

In this case, you probably aren't experienced enough, if you can't tell from a simple shimstack such as above whether it's linear, progress or digressive lol.

I assumed you were trolling based on what you chose for your first ever post, but figured I would give you a chance....thanks✌️

4
1
Matej
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Kosice SK
12/21/2025 6:13pm Edited Date/Time 12/21/2025 6:20pm

You can't tell if a shim stack is linear, progressive or digressive just by looking at it 

Matej wrote:

In this case, you probably aren't experienced enough, if you can't tell from a simple shimstack such as above whether it's linear, progress or digressive lol.

I assumed you were trolling based on what you chose for your first ever post, but figured I would give you a chance....thanks✌️

What did I choose for me first ever post? Asking whether it's really progressive when the drawing says something else? Moreover, my name doesn't say "suspensionlab" claiming 15 years of experience without being able to tell from a textbook example of a shim stack what kind it is 😅 I'm just a rider. If it was a multi-stage, complex SS, it would be understandable. Btw, thanks for reporting my message. It has hurt you as I see

8
12/31/2025 11:27am
I have the new S Works frame (S5 size) and built it up with a mix of new parts including XO transmission, except cranks, and what...

I have the new S Works frame (S5 size) and built it up with a mix of new parts including XO transmission, except cranks, and what I brought over from my previous bike. Anyways there's a nasty annoying clunking sound whenever I go down rough terrain. Really miserable at times. And yes, the drivetrain is set up correctly. 2 guys at 2 shops have also been over it and one had a SRAM tech talk him through it. It works great on pavement. Have contacted Specialized and SRAM but no real answers. I coasted some downhill trail sections with no chain and derailleur. Noise went away. No one knows what it is or claims to have heard of this issue except one other guy online with same frame, size, and drivetrain. He and his shop can't figure it out either. Anyone else have this issue? 

Having this exact problem on my new expert, quiet in the car park and really clunky sounding on the trail

1
12/31/2025 1:10pm Edited Date/Time 12/31/2025 1:10pm
I have the new S Works frame (S5 size) and built it up with a mix of new parts including XO transmission, except cranks, and what...

I have the new S Works frame (S5 size) and built it up with a mix of new parts including XO transmission, except cranks, and what I brought over from my previous bike. Anyways there's a nasty annoying clunking sound whenever I go down rough terrain. Really miserable at times. And yes, the drivetrain is set up correctly. 2 guys at 2 shops have also been over it and one had a SRAM tech talk him through it. It works great on pavement. Have contacted Specialized and SRAM but no real answers. I coasted some downhill trail sections with no chain and derailleur. Noise went away. No one knows what it is or claims to have heard of this issue except one other guy online with same frame, size, and drivetrain. He and his shop can't figure it out either. Anyone else have this issue? 

Having this exact problem on my new expert, quiet in the car park and really clunky sounding on the trail

I have loud clinks with my alloy. It has xo transmission. I thought there could be some rubber missing or voids on chain/seats stays. There is no evidence of chain slap. I think it’s the derailleur hitting/clunking at large hits. 

1
mtbschrader
Posts
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Location
Rocky River, OH US
12/31/2025 3:19pm

I’ve discovered for me it was a bad derailleur and the stock chainstay protector wasn’t great. I put a new XO derailleur on and replaced most of the chainstay protector with a STFU chainstay protector and the bike is really quiet now, even on the roughest sections of trail. 

1
1/11/2026 8:41am

Anyone threw a tape measure over there stumpy 15 evo? My s3 evo wheelbase measures 1238mm compared to the supposed 1218mm, measuring head angle its coming out at 62 degrees rather than the suggested 64 in the middle setting which would account for the added wheelbase if reach and stack are correct as per the geo table.  Not really concerned as the bike rides great but I don’t think I’ve had a bike measure that far off the geo chart!!!

1
4/7/2026 3:47am

Has anybody tried the cascade link for the mullet set-up with the genie shock or with a different one?! I thinking about to get the cascade link … 

1
itsky
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El dorado hills, CA US
5/11/2026 9:15am Edited Date/Time 5/11/2026 9:18am

I’d love to learn from the group on Genie setup and what people are actually running.

For context, I’m on a 2024 SJ15 (non-EVO), ~200 lbs geared, and this is my only bike. I’d say I’m a solid intermediate rider, but not someone who’s super sensitive to suspension changes—I tend to adapt pretty quickly rather than clearly prefer one setup over another. I ride a bit of everything here in Northern California, but I definitely not sending it. 

So far:

  • Only tried the medium headset cup
  • I like both high and low chainstay settings for different reasons
  • On the shock, I’ve mostly ridden 0 and 1 external bands, and both feel good in their own way
  • Haven’t really settled on a “this is clearly better” setup yet
  • Really happy with the bike, it climbs great, decsends fantastic, just trying to optimize really

A couple things I’m trying to dial in:

  • For those around ~200 lbs, what Genie setup are you landing on (bands, pressure, rebound, etc.)?
  • How are you thinking about 0 vs 1 vs 2+ bands in terms of tradeoffs?
  • On the Performance Elite shock, I honestly struggle to feel much difference between the compression settings (1–3) — curious if others notice a meaningful change or if it’s supposed to be subtle? Maybe I need a retune of the shock for weight? 

Appreciate any setups or thought process you’re using—especially if you’ve gone through a few iterations and landed on something you’re really happy with.

 

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